Thursday, April 30, 2026
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Ernie Kovacs

Freaks and Geeks
TELEVISION 

‘Freaks and Geeks’: Lost and Found

February 18, 2021February 23, 2021 Michael Giltz 0 Comments American Dreams, An American Family, Blair Brown, Brittany Snow, Busy Phillips, David Straithairn, Ernie Kovacs, Freaks and Geeks, Genndy Tartakovsky, Holocaust, Hornblower, I'll Fly Away, Ioan Gruffud, James Franco, Jason Segal, Jay Tarses, Linda Cardellini, Louise Lasser, Mary Hartman, Meryl Streep, Molly Dodd, Moonlighting, Police Squad!, Regina Taylor, Sam Waterston, Seth Rogen, The Clone Wars, The Monkees, The Zucker Brothers, Timothy Bottoms, Tovah Feldshuh

With ‘Freaks’ and ‘The Muppet Show’ finally streaming, here are some other great shows we want to see back in the rotation

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Featured Stories

Was ‘Ronaldinho: The One and Only’?
Featured Stories Netflix NON-FICTION Sports Uncategorized 

Was ‘Ronaldinho: The One and Only’?

April 27, 2026April 30, 2026 Dan Friedman 0

Mini-series about the Brazilian soccer star is designed to whet our World Cup whistle

‘Power to the People’: John Lennon & Yoko Ono’s NYC Rent Party on the Big Screen
DOCUMENTARY Featured Stories FILM 

‘Power to the People’: John Lennon & Yoko Ono’s NYC Rent Party on the Big Screen

April 24, 2026April 27, 2026 Jim Allen 2
‘IF’: Imaginary Friends and Real Ryan Reynoldses
Featured Stories FILM Netflix Streaming 

‘IF’: Imaginary Friends and Real Ryan Reynoldses

April 19, 2026April 19, 2026 Robert Dean 0
‘The Testaments’ Brings Us Back to Gilead
BOOKS Featured Stories Graphic novels Streaming TELEVISION 

‘The Testaments’ Brings Us Back to Gilead

April 15, 2026April 27, 2026 William Schwartz 0

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  • Was ‘Ronaldinho: The One and Only’?

Recent Comments

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  • Dan Friedman on ‘Power to the People’: John Lennon & Yoko Ono’s NYC Rent Party on the Big Screen
  • Tom F on ‘Power to the People’: John Lennon & Yoko Ono’s NYC Rent Party on the Big Screen
  • A History of Violence: Is It Worth Watching? 2025 Guide - Inkbrief.uk on Looking Back at Histories of Violence
  • Michael Washburn on ‘The Stranger’ Turns Existentialism Into Something Dangerous
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