Noir and Forgotten History Unite in ‘Death to Pachuco’

Henry Barajas and Rachel Merrill tell a wartime story of Mexicans in Los Angeles

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‘The Testaments’ Brings Us Back to Gilead

In the sequel to ‘The Handmaid’s Tale,’ Margaret Atwood and Bruce Miller take us to finishing school

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In ‘Cinematic Immunity,’ Film Crews Get the Final Edit

A new history of filmmaking brings stories of the sets

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Plastic is Shrinking America’s Dicks

‘The Plastic Detox’ tries to move the needle using shock tactics and reality TV tropes

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2 Chainz New Autobiography? It’s a Vibe

‘The Voice in My Head Is God’ is both a mess and a window into his mind

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Spain is Going Crazy for ‘Torrente, Presidente’!

In the sixth instalment of his box-office breaking series, Santiago Segura takes on politics

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With Noir City, Black is Back

New events across the continent celebrate the enduring appeal of the shadowy genre

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Houston, We Have Engagement!

Netflix streams Artmeis II as a NASA reality show

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Huo Mong’s ‘Living the Land’ Revisits a 1990s Chinese Countryside

Award-winning farming nostalgia harvests minimal sentiment

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In ‘Transcription,’ Ben Lerner Breaks the Spell of His Mother’s Voice

Anyone lucky enough to have read Ben Lerner’s explosive trilogy of first-person novels that straddle the border between fiction and memoir might get the sense that Lerner, though 47, is still a bit of a mama’s boy. These three novels, Leaving the Atocha Station (2011), 10:04 (2014) and The Topeka School (2019) all have male protagonists that are Lerner and yet are not. They love art, language, and poetry, but

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BFG Podcast #203: ‘The Forsytes,’ ‘Age of Attraction,’ ‘Survivor,’ and, of course, ‘Fackham Hall’

Neal Pollack talks to pop-culture savant Jessica Babbitt about what’s going on this spring

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