What Does ‘Network’ Have To Tell Us About Outrage, 50 Years On

We’re still ‘mad as hell’ but now everyone is yelling into the ether

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Extras: An Obituary

AI sounds the death knell for living crowds of people on film

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‘The Odyssey’ Is the Most Christopher Nolan Film Yet

A star-studded epic brings Homer to the 21st century

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‘The Invite’ Prompt Was — Bergman, But Make It Funny!

Olivia Wilde directs and acts in a comedy about love and marriage in middle-age

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Traumatized Young Woman?

‘Supergirl’ disappoints in all the key ways

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Ross McElwee Takes a Long, Hard Look at His Late Son and Himself in ‘Remake’

The latest from the legendary documentarian is his most devastating yet.

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Minions and Monsters With Movies and Mayhem

Is this the nail in the Pierre Coffin series?

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America at 250 Is a Clash of ‘Taxi Driver’ vs ‘All the President’s Men’

Travis Bickle is wiping the floor with Woodward and Bernstein

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The Last Jackass Claims To Be Their Best

Johnny Knoxville and crew in a butt-stuffing swansong

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Run, Don’t Walk To See a One-Man, Three-Hour Biopic of French Poet Arthur Rimbaud, Really

If you’re into risk-taking, boundary-pushing cinema, find and see Patrick Wang’s latest film.

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Tribeca 2026: The Year of Going to the Cinema

Subjects ranging from rural Japan to New York spin studios to Cold War Cuba showcased the festival’s eclectic range

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E. Jean Carroll Tells Her Story

‘Ask E. Jean’ prompts questions it doesn’t answer

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Was Peter Asher Pop Music’s Zelig or Svengali? ‘Everywhere Man’ Offers Answers

The documentary follows Asher from Swingin’ London to laid-back L.A… and beyond.

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BFG Podcast #309: ‘Disclosure Day,’ ‘Backrooms,’ and Nicolas Cage With the Power of Spider

Neal Pollack, Daniel Aaron, Stephen Garrett are united by new, freshly bought and owned theme music!

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