FILM Archives - Book and Film Globe

Ali G Back in Da House

October 28, 2026October 27, 2026 Gordon Haber 0 Comments Ali G, Ali G: Who Iz I?, Amazon Prime Video, American immigration politics, American politics, Antisemitism, BBC, Borat, british comedy, British television, Bruno, cancel culture, comedy controversy, comedy ethics, comedy film, cringe comedy, cruelty in comedy, cultural appropriation, Da Ali G Show, Dr. Nira Cain-N'Degeocello, Erran Morad, George Santos, gross-out comedy, HBO, hidden camera comedy, identity politics, immigration, Milgram experiment, Morgana Robinson, movie review, Newt Gingrich, political correctness, political polarization, political satire, prank comedy, Rachel Dolezal, racism, Sacha Baron Cohen, satire, shock humor, social justice warriors, social satire, Staines, Tony Benn, woke culture

Sacha Baron Cohen brings some harsh, funny pranks in ‘Ali G: Who Iz I?’

DOCUMENTARY FILM

A Concrete Example of a Documentary Masterpiece

October 27, 2026October 26, 2026 J. Barnes 0 Comments absurdist comedy, affordable housing, architecture, BQE, Brooklyn-Queens Expressway, Buddhist philosophy, City of Yes, comedy documentary, concrete, constructive trauma, documentary film, documentary review, Dorothy Chin Brandt, entropy, Eric Adams, existentialism, experimental documentary, film criticism, grief, Hallmark movies, HBO, How To With John Wilson, impermanence, Jack Macco, John Wilson, Kathy Hochul, mortality, movie reviews, New York City, New York City politics, observational filmmaking, Pantheon, philosophical comedy, Ridgewood Queens, Roman architecture, Rubin Museum of Himalayan Art, sand mandalas, The History of Concrete, urban decay, urban infrastructure, zoning reform

John Wilson’s ‘History of Concrete’ is so much more than its boring title suggests

Featured Stories FILM

Paweł Pawlikowski Drives Us Through a Decimated ‘Fatherland’

October 24, 2026October 28, 2026 Stephen Garrett 0 Comments arthouse cinema, August Diehl, Bayreuth Festival, black and white cinematography, Cold War, cultural memory, denazification, East Germany, Erika Mann, European cinema, exile, family relationships, father-daughter relationships, Fatherland, film criticism, Frankfurt, German cinema, German history, German literature, grief, Hanns Zischler, Historical drama, international cinema, Johann Wolfgang von Goethe, Klaus Mann, mourning, movie reviews, National identity, nationalism, Nazi Germany, Paweł Pawlikowski, political drama, postwar Germany, Richard Wagner, Sandra Hüller, Thomas Mann, W.H. Auden, Weimar, West Germany, World War II

Postwar Germany views itself through the monochromatic portrait of the Mann family

DOCUMENTARY FILM Netflix Streaming TELEVISION

‘Lorne’: The Man Who Made Everyone Famous but Himself

October 22, 2026 Robert Dean 0 Comments 30 Rock, Adam Sandler, Alec Baldwin, American comedy, Book and Film Globe, Broadway Video, celebrity documentaries, Colin Jost, comedy documentary, comedy legends, Conan OBrien, documentary review, Eddie Murphy, entertainment industry, Fred Armisen, Jimmy Fallon, John Belushi, Late Night, late-night television, Lorne, Lorne Michaels, Lorne Michaels succession, Michael Che, Morgan Neville, NBC, Netflix, Paul Simon, Saturday Night Live, show business, sketch comedy, SNL, SNL 50th anniversary, SNL documentary, Steve Martin, streaming documentaries, television history, The Blues Brothers, The New Show, The Tonight Show, Tina Fey, Wayne's World, Will Ferrell

Morgan Neville’s new documentary explores the mastermind behind Saturday Night Live, who built a comedy empire while keeping his own life stubbornly offstage.

Comedy DOCUMENTARY Featured Stories

But ‘Who is Martin Mull?’

October 21, 2026October 26, 2026 Samuel Porteous 0 Comments 1970s comedy, absurdist comedy, addiction, alcoholism, America 2-Night, American comedy, artistic identity, Best in Show, Billy Joel, Bob Saget, Bruce Springsteen, celebrity documentaries, Christopher Guest, comedy documentary, comedy history, contemporary art, documentary film, documentary review, Eric Idle, fame, Fernwood 2 Night, Fred Willard, Johnny Carson, Martin Mull, Monty Python, mortality, music history, musical comedy, Neil Berkeley, Netflix, Norman Lear, painting, Rhode Island School of Design, RISD, satire, Seth MacFarlane, Steve Martin, television history, The Fabulous Furniture, The History of White People in America, The Larry Sanders Show, The Tonight Show, Tom Waits, Waiting for Guffman, Wendy Haas, Who Is Martin Mull?

A star-studded meditation on mortality is also very funny

Featured Stories FILM Netflix Streaming

Perpendicular Lives Intersect in ‘Possible Love’

October 20, 2026October 26, 2026 Kaveh Jalinous 0 Comments arthouse cinema, capitalism, Cho Yeo-jeong, cinematic storytelling, class inequality, documentary ethics, documentary filmmaking, economic exploitation, factory workers, Family Drama, film review, grief, international cinema, Jeon Do-yeon, Korean cinema, Korean drama, Lee Chang-dong, love stories, marriage, movie reviews, Netflix, Possible Love, privilege, Psychological Drama, relationships, social realism, South Korean films, Sul Kyung-gu, unemployment, voyeurism, wealth inequality, working class, Zo In-sung

Lee Chang-dong brings two unlikely couples together in this NYFF success that is heading straight to theater screens and Netflix

DOCUMENTARY Featured Stories FILM

You Can See Everything, Except the Truth

October 18, 2026October 22, 2026 Stephen Garrett 0 Comments Abbott and Costello, AI, artificial intelligence, authenticity, Billy Evans, corporate fraud, deepfakes, documentary ethics, documentary film, documentary review, Edison blood-testing device, Elizabeth Holmes, Enron, Errol Morris, experimental documentary, film criticism, Frederick Wiseman, investigative documentary, Lance Oppenheim, media manipulation, mockumentary, movie reviews, Nathan Fielder, Nathan For You, reality and illusion, Silicon Valley, tech startups, The Rehearsal, Theranos, Theranos scandal, true crime documentary, truth and deception, Werner Herzog, white collar crime, Who's on First, You Can See Everything

Feel free to mix Nathan Fielder, Lance Oppenheim, Elizabeth Holmes and Billy Evans but that’s no recipe for non-fiction

Two Highlights From the New York Film Festival Main Slate

October 16, 2026October 15, 2026 Kenji Fujishima 0 Comments 8 1 2, Adam Driver, Aftersun, Alice Bailey Johnson, All of a Sudden, Andor, art and empathy, arthouse cinema, Birgit Minichmayr, British cinema, Cannes Film Festival, capitalism, Carlos Reygadas, Charlotte Wells, dementia, Drive My Car, elder care, Emeric Pressburger, Everytime, experimental cinema, Federico Fellini, female friendship, Film at Lincoln Center, film criticism, film scores, French cinema, Gone to Earth, Gregory Oke, grief, Hard Truths, Heil Jupiter!, James Gray, Japanese cinema, JoBeth Williams, Kate OFlynn, Marion Bailey, Michael Clayton, Michael Powell, Mike Leigh, Miles Teller, mortality, movie reviews, New York Film Festival, New York Film Festival 2026, nursing homes, NYFF 2026, Paul Jesson, Pedro Pascal, Ryusuke Hamaguchi, social realism, social workers, surrealism, Tao Okamoto, Tender Loving Care, TIFF, Toronto International Film Festival, Virginie Efira, Widow's Bay

The probable last film from a British legend and the latest work from a Japanese master brightened this year’s edition of this festival of festivals.

Featured Stories FILM

Two Disappointments in the New York Film Festival Main Slate

October 15, 2026October 19, 2026 Kenji Fujishima 1 Comment 8 1 2, Adam Driver, Aftersun, Andor, arthouse cinema, Behemoth!, Birgit Minichmayr, Cannes Film Festival, Carlos Reygadas, Charlotte Wells, classical music, Emeric Pressburger, Eva Victor, Everytime, experimental cinema, Federico Fellini, Film at Lincoln Center, film criticism, film scores, Gone to Earth, Gregory Oke, grief, Heil Jupiter!, James Gray, JoBeth Williams, Michael Clayton, Michael Powell, Miles Teller, movie reviews, New York Film Festival, New York Film Festival 2026, NYFF 2026, Olivia Wilde, Paper Tiger, Pedro Pascal, Sandra Wollner, Scarlett Johansson, surrealism, TIFF, Tony Gilroy, Toronto International Film Festival, Will Arnett

Pre-festival hype and even stars like Pedro Pascal and Olivia Wilde don’t always satisfy

Unexpected Gems From the New York Film Festival

October 14, 2026 Kaveh Jalinous 0 Comments arthouse cinema, Arundhati Roy, China, Currents, documentary, Éric Baudelaire, experimental cinema, Film at Lincoln Center, Film festival, For the Moon, Goodbye South Goodbye, Hou Hsiao-Hsien, In Which Annie Gives It Those Ones, Kinmen, Luise Donschen, movie reviews, National Institute for Blind Youth, New York Film Festival, NYFF, Overt Listening, Pradip Krishen, restored films, Revivals, Taiwan, Tiffany Sia, Tomorrow a Long Time Ago, world cinema

From avant-garde documentaries to restored classics, the festival’s deepest cuts were among its finest.

DOCUMENTARY Featured Stories Netflix Streaming TELEVISION YouTube

With ‘Ultimate Traveler’ Another YouTube Creator Moves Into Streaming

October 13, 2026October 19, 2026 Robert Dean 0 Comments creator economy, Deloitte, documentary series, Drew Binsky, Gen Z, Hadza, Hot Ones, Iran, Jay Shetty, Mark Rober, Millennials, Netflix, Nielsen, Philippines, Rhett & Link, social media creators, Stokes Twins, Streaming, Streaming Television, travel documentaries, travel influencers, travel journalism, travel series, Ukraine, Ultimate Traveler, Vietnam, Whang-Od, YouTube

Drew Binsky brings an internet director’s curiosity to global storytelling

Facebook Is on Trial Again in ‘The Social Reckoning’

October 11, 2026October 12, 2026 Stephen Garrett 0 Comments **CSV tag list:** Aaron Sorkin, AI, algorithms, Artificial, Betty Gilpin, Bill Burr, Billy Magnussen, Capitol attack, David Fincher, extremism, Facebook, Frances Haugen, investigative journalism, January 6, Jeff Horwitz, Jeremy Allen White, Jeremy Strong, Luca Guadagnino, Mark Zuckerberg, Meta, Mikey Madison, misinformation, movie review, Sam Altman, Silicon Valley, social media, tech industry, The Social Network, The Social Reckoning, Wunmi Mosaku

Aaron Sorkin’s new film crackles with dialogue, but can he justify reopening a 2021 case?

DOCUMENTARY FILM Music MUSIC

Is ‘Mountains of the Moon’ Our Generation’s ‘Koyaanisqatsi’?

October 7, 2026October 8, 2026 Adam Hirschfelder 0 Comments adventure sports, Amazon Prime Video, Bill Walton, Chris Benchetler, David Lemieux, Deadheads, documentary, Fire on the Mountain, Furthur bus, Grahame Lesh, Grateful Dead, Grateful Dead music, Human Be-In, Jerry Garcia, Ken Kesey, Mickey Hart, Mountains on the Moon, outdoor films, Paul Stamets, Phil Lesh, psychedelic art, San Francisco, skiing, snowboarding, Terrapin Family Band

Chris Benchetler’s new movie is a meditation on the inter-connectedness of action sports, Grateful Dead music, and all living things that surround us and bind us together.

On Bond Day We Ask, Should James Bond Still Exist Today?

October 5, 2026October 4, 2026 Dr. Carlos Flores 1 Comment 007, action films, Amazon MGM Studios, Aston Martin, British cinema, Casino Royale, Cold War, Daniel Aaron, Daniel Craig, Dr. No, espionage, film criticism, From Russia with Love, Goldfinger, Ian Fleming, James Bond, James Bond Day, masculinity, Moonraker, movie history, Pop Culture, Sean Connery, spy films, The Spy Who Loved Me

Will we still love 007 now he’s 64?

CLASSICS Featured Stories FILM

‘Colossus’ the Film that Foretold the AI War

October 4, 2026October 7, 2026 Samuel Porteous 0 Comments 1970 films, AI, AI safety, Apollo 13, artificial intelligence, classic cinema, Cold War, Colossus: The Forbin Project, Control Data Corporation, D.F. Jones, dystopian films, Eric Braeden, Gordon Pinsent, James Bridges, Lawrence Hall of Science, movie review, sci-fi films, science fiction, supercomputers, Susan Clark, The China Syndrome, Will Schallert

A prophetic all-star team from 1970 has been overlooked

← Previous