Lights, Camera, Lido!
A report from the Venice Biennale
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FILM
Turn the Camera Off
‘Honk For Jesus. Save Your Soul.’ can’t commit to its satirical mockumentary premise
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Everything That’s Streaming In September
‘Cobra Kai,’ ‘Andor,’ a goodbye to ‘Atlanta,’ a new ‘Lord of the Rings,’ and a lot more
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I Dream of Idris
‘Three Thousand Years of Longing,’ George Miller’s strangely rambling ode to the power of storytelling
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MoviePass Is Back
But can it adapt to a diminished theatrical landscape?
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Starring Yaphet Kotto
Criterion Channel collection gives a great character actor his due as a leading man
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One Hundred Years of Robbe-Grillet
French auteur courted critical firestorms while taking fiction and film in new directions
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Death By Gen Z
‘Bodies Bodies Bodies’ is a frenetic, bloody satire of wealthy, overeducated youth
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Wanting More On Those ‘Thirteen Lives’
Ron Howard’s take on Thai soccer team’s rescue spends too much time under water
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‘Prey’ is a Bloody Trophy for the ‘Predator’ Franchise
A risk-taking prequel pays off
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‘Bullet Train’ Is a Punch-Packed Ride
Glossy thriller crammed with stylish fights, not much else
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Warner Axes ‘Batgirl,’ Other HBO Max Movies
Scoob! sequel and more scrapped amid money woes
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That’s Right, He’s Not From Texas
B.J. Novak makes a real name for himself as a director and actor (and writer) with the comedy thriller ‘Vengeance’
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The Year of the Bromance
Complicated male friendships thrive on film in 2022
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‘Nope’ Says Yes to Thrills
Jordan Peele’s newest is full of spectacle, lighter on substance
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