No Need for Monster Logic in ‘Resident Evil’

Zach Cregger reboots the iconic horror series and revels in its visceral pageantry

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Venice Crowns ‘Woman Unknown’

May El-Toukhy takes the Golden Lion as class, power and inequality dominate the festival

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Venice 2026: The Rich, the Powerful, and the Cost of Looking Away

Standout films on Musk, Gaza, and class conflict turn power and moral failure into gripping cinema

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John Malkovich, Werner Herzog, and Danny Boyle Show Up Big in Italy

Actors and directors bring the goods to the Venice Film Festival 2026

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Ridley Scott Is Back, Flying By the Light of ‘The Dog Stars’

Prepper madness meets introspection as Jacob Elordi and Josh Brolin chum up the post-apocalypse

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Spider Man Is Back and More Emo Than Ever

Can the web-slinging superhero save the world and also have friends?

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‘The Odyssey’ Is the Most Christopher Nolan Film Yet

A star-studded epic brings Homer to the 21st century

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Minions and Monsters With Movies and Mayhem

Is this the nail in the Pierre Coffin series?

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The Last Jackass Claims To Be Their Best

Johnny Knoxville and crew in a butt-stuffing swansong

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‘Toy Story 5’ Tackles Technology

But Woody and co punt on bigger questions of device devotion

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Steven Spielberg’s Even Closer Encounters Get Disclosed

Emily Blunt, Colman Domingo, and Colin Firth run around and meet some aliens

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‘Power Ballads’ Shows How Jams Can Get Sticky

Paul Rudd and Nick Jonas star in John Carney’s latest music-themed comedy-drama

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Putting ‘Pressure’ on the Weathermen of World War II

Brendan Fraser is Eisenhower deciding on which day will be D-Day

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