‘I Care A Lot’
Rosamund Pike rips off the elderly in a wicked Netflix movie that can’t quite nail down its genre
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Author: Stephen Garrett
‘Judas and the Black Messiah’
A solid, straight-laced, Oscar-friendly film about a Black revolutionary movement
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Sundance: The Final Tally
A solid lineup of predictably unpredictable indie storytelling
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‘CODA’ Dominates Sundance Award Ceremony
Apple+ buys heartwarming deaf family drama for $25 million
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Sundance 2021: Totally Virtual, but Still Kicking
With opening night documentaries–and screening shut-outs–Sundance is as vital and aggravating as ever
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‘The White Tiger’ is the anti-‘Slumdog Millionaire’
An unsentimental film about India’s endless caste struggle
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‘Locked Down’: A COVID-era diamond heist flick
Too soon, guys
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Young, Gifted, and Black
‘One Night in Miami…’ speculates: What happened when Cassius Clay, Malcolm X, Sam Cooke, and Jim Brown all hung out?
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‘WW84’: Wonder Woman’s Weak 80s Adventure
She basically fights Donald Trump as the leader of the Resistance or something
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We’re On A Boat
‘Let Them All Talk,’ a cruise-ship comedy starring Meryl Streep, directed by Steven Soderbergh
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Roam If You Want To
Frances McDormand starts in ‘Nomadland,’ a remarkable drama about modern-day itinerant workers
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Woody Allen Breaks Stunning New Ground in ‘A Rainy Day In New York’
Just kidding, it’s the same old schtick
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Meet the New Croods, Same As The Old Croods
A feel-good dollop of noisy nonsense
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On Deaf Ears
In the deeply empathetic ‘Sound of Metal,’ a heavy-metal drummer suddenly loses his hearing
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Not That ‘Freaky’
A John Hughes-style slasher film with an LGBTQ twist
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