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August Diehl

Paweł Pawlikowski Drives Us Through a Decimated ‘Fatherland’

October 24, 2026 Stephen Garrett 0 Comments arthouse cinema, August Diehl, Bayreuth Festival, black and white cinematography, Cold War, cultural memory, denazification, East Germany, Erika Mann, European cinema, exile, family relationships, father-daughter relationships, Fatherland, film criticism, Frankfurt, German cinema, German history, German literature, grief, Hanns Zischler, Historical drama, international cinema, Johann Wolfgang von Goethe, Klaus Mann, mourning, movie reviews, National identity, nationalism, Nazi Germany, Paweł Pawlikowski, political drama, postwar Germany, Richard Wagner, Sandra Hüller, Thomas Mann, W.H. Auden, Weimar, West Germany, World War II

Postwar Germany views itself through the monochromatic portrait of the Mann family

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Two Disappointments in the New York Film Festival Main Slate

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With ‘Ultimate Traveler’ Another YouTube Creator Moves Into Streaming

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