Wednesday, November 11, 2026

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Fatherland

Featured Stories FILM

Paweł Pawlikowski Drives Us Through a Decimated ‘Fatherland’

October 24, 2026October 28, 2026 Stephen Garrett 0 Comments arthouse cinema, August Diehl, Bayreuth Festival, black and white cinematography, Cold War, cultural memory, denazification, East Germany, Erika Mann, European cinema, exile, family relationships, father-daughter relationships, Fatherland, film criticism, Frankfurt, German cinema, German history, German literature, grief, Hanns Zischler, Historical drama, international cinema, Johann Wolfgang von Goethe, Klaus Mann, mourning, movie reviews, National identity, nationalism, Nazi Germany, Paweł Pawlikowski, political drama, postwar Germany, Richard Wagner, Sandra Hüller, Thomas Mann, W.H. Auden, Weimar, West Germany, World War II

Postwar Germany views itself through the monochromatic portrait of the Mann family

Cannes Has Some Serious (and Some Comic) Daddy Issues

May 19, 2026May 19, 2026 Stephen Garrett 0 Comments A24, Adam Driver, art house cinema, arthouse film, arthouse films, Asghar Farhadi, auteur cinema, award season, Camp Miasma, Cannes 2026, Cannes Film Festival, cinema criticism, cinema culture, Club Kid, cold war cinema, Cristian Mungiu, daddy issues, directorial debuts, Disney Plus, Elijah Wood, European cinema, European film, fatherhood in film, Fatherland, festival acquisitions, festival buzz, Festival Coverage, film criticism, film distribution, film festival coverage, film festivals, Fjord, Friday the 13th, Gentle Monster, Gillian Anderson, Hannah Einbinder, Havana Rose Liu, Hirokazu Kore-eda, independent filmmaking, Indie Film, international cinema, Ira Sachs, James Gray, Jane Schoenbrun, Javier Bardem, Johann Wolfgang von Goethe, John Lennon The Last Interview, John Travolta, Jordan Firstman, Kristen Stewart, Léa Seydoux, LGBTQ cinema, meta horror, Michael Lindsay-Hogg, Michelle Rodriguez, midnight movies, movie industry news, Nicolas Winding Refn, Oscar contenders, Palme D'Or, Paper Tiger, Paweł Pawlikowski, Peter Jackson, Pierre Salvadori, postwar Germany, queer cinema, Quentin Dupieux, Rodrigo Sorogoyen, Ryusuke Hamaguchi, Sandra Hüller, Scarlett Johansson, Sean Lennon, Sebastian Stan, Slasher Movies, Sophie Thatcher, Steven Soderbergh, The Beatles, The Beloved, The Electric Kiss, The Fast and the Furious, Thomas Mann, Un Certain Regard, Vin Diesel, Woody Harrelson, world cinema

Family ties are being stretched for drama and laughs in festival film after film

Cannes 2026 Opens With Sheepish Glamour and a Surprise Masterpiece

May 16, 2026 Stephen Garrett 0 Comments arthouse film, Asghar Farhadi, auteur cinema, Camp Miasma, Cannes 2026, Cannes Film Festival, cinema culture, cold war cinema, Cristian Mungiu, Disney Plus, Elijah Wood, European cinema, Fatherland, Festival Coverage, film criticism, film festivals, Friday the 13th, Gillian Anderson, Hannah Einbinder, Hirokazu Kore-eda, international cinema, Ira Sachs, Jane Schoenbrun, Johann Wolfgang von Goethe, John Travolta, meta horror, Michael Lindsay-Hogg, Michelle Rodriguez, Palme D'Or, Paweł Pawlikowski, Peter Jackson, Pierre Salvadori, postwar Germany, queer cinema, Ryusuke Hamaguchi, Sandra Hüller, Slasher Movies, The Beatles, The Electric Kiss, The Fast and the Furious, Thomas Mann, Un Certain Regard, Vin Diesel

Storied film festival honors Peter Jackson, debuts Hannah Einbinder in Jane Schoenbrun’s messy meta-slasher, and shows an early Palme d’Or frontrunner

Featured Stories

Featured Stories FILM

Save Us, Godzilla!

November 8, 2026November 11, 2026 Neal Pollack 0

Takachi Yamazaki’s ‘Godzilla Minus Zero’ sets the stage for a renewed franchise

Featured Stories FILM

‘Wild Horse Nine’ Is Full of Hysterical but Horrible Remorse

November 6, 2026November 11, 2026 Stephen Garrett 0

BOOKS Featured Stories

16 New Books To Read in November

November 1, 2026November 4, 2026 Art McPhail 0

Biography DOCUMENTARY Featured Stories FILM Netflix NON-FICTION Streaming

Norm Was a Vibe

October 31, 2026November 4, 2026 Rob Kutner 1

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