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May 26, 2026May 26, 2026 Dan Friedman 0 Comments A Complete Unknown, Amanda Knox, Amy Winehouse, Better Man, biopics, Bob Dylan, Bob Marley, Bruce Springsteen, celebrity culture, cinema and commerce, documentaries, documentary filmmaking, Elton John, Elvis Presley, film criticism, film industry, Gregg Allman, Hollywood, intellectual property, IP filmmaking, Jiminy Glick, Martin Scorsese, Martin Short, Marty Life Is Short, Melania Trump, michael movie, music biopics, Netflix, Patrick Spikes, Robbie Williams, Rocketman, Simran Hans, Streaming Television, The Guardian, Whitney Houston

How far are fact-based movies just access journalism in cinematic form?

Featured Stories

Featured Stories FILM SF

Smoking Hot Prudes Rock for ‘One Night Only’

August 9, 2026August 12, 2026 Stephen Garrett 0

Authoritarian science fiction never looked so sexy

Featured Stories Podcasts

BFG Podcast #312: Is Spider-Man Any Good? Plus, Summer Dragon Fights for All!

August 7, 2026August 12, 2026 Book and Film Globe Staff 0

Anime Featured Stories FILM

‘Avatar Aang: The Last Airbender’ Succeeds in Spite of Its Troubled Release

August 5, 2026August 12, 2026 J. Barnes 0

Comedy Featured Stories Streaming TELEVISION

‘The Hawk’ Scores a Triple Bogey

August 2, 2026August 5, 2026 Dan Friedman 0

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Recent Posts

‘End of Oak Street’ Is a Stroll in Triassic Park
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Natalia Carvajal on Netflix’s ‘One Hundred Years of Solitude’ Is a Cinematic Miracle
Eileen Ulick on Dueling Chernobyls
Michael Washburn on Not Quite Into the ‘Mouth of the Wolf’

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