Tuesday, January 19, 2021
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Saorise Ronan

FILM 

A Big Cup of Jo

December 27, 2019December 27, 2019 Stephen Garrett 0 Comments Emma Watson, Florence Pugh, Greta Gerwig, Laura Dern, Little Women, Louise May Alcott, Meryl Streep, Saorise Ronan, Timothée Chalamet

Jo March is Centerstage, as She Should Be, in Greta Gerwig’s ‘Little Women’

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FICTION FILM 

I Hate ‘Little Women’

September 18, 2019January 13, 2020 Katie Smith 12 Comments Emma Watson, Florence Pugh, Greta Gerwig, Laura Dern, Little Women, Little Women 1933, Little Women 1994, Little Women 2019, Meryl Streep, Saorise Ronan, Timothée Chalamet

Maybe Greta Gerwig’s Upcoming Adaptation Can Rewrite the March Sisters’ Endings

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Howards End 2018
FICTION FILM TELEVISION 

Little Women At Howard’s End

January 3, 2019January 3, 2019 Neal Pollack 0 Comments Agent Carter, Anthony Hopkins, Bob Odenkirk, Christian Bale, Claire Danes, E.M. Forster, Emma Thompson, Emma Watson, Florence Pugh, Gabriel Byrne, Greta Gerwig, Hayley Atwell, Helena Bonham Carter, Howard's End, Kenneth Lonergan, Kirsten Dunst, Laura Dern, Little Women, Meryl Streep, Saorise Ronan, Susan Sarandon, Timothée Chalamet, Winona Ryder

The Classics, Endlessly Adapted

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Featured Stories

Murakami
CREATORS Featured Stories FICTION Writers 

The Empathy of Haruki Murakami

January 19, 2021January 19, 2021 Michael Washburn 0

Japan’s most famous writer looks at the COVID-19 crisis from the viewpoint of ordinary people

MLK/FBI
DOCUMENTARY Featured Stories FILM 

‘MLK/FBI’ Skips the Money Shot

January 18, 2021January 19, 2021 Neal Pollack 0
WandaVision
Featured Stories TELEVISION 

‘WandaVision’ Marks the Beginning of the Post-TV Era

January 16, 2021January 18, 2021 Neal Pollack 0
Cobra Kai
Featured Stories TELEVISION 

‘Cobra Kai’ Season 3: What Went Wrong?

January 11, 2021January 12, 2021 Neal Pollack 1

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Recent Posts

  • Kapuściński and the Autocrats
  • The Empathy of Haruki Murakami
  • Cary Grant: The Making of a Hollywood Legend
  • ‘MLK/FBI’ Skips the Money Shot
  • ‘WandaVision’ Marks the Beginning of the Post-TV Era

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