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Albert Camus

‘The Stranger’ Turns Existentialism Into Something Dangerous

April 26, 2026 Neal Pollack 3 Comments absurdism, Albert Camus, Algiers 1930s, arthouse cinema, Benjamin Voisin, best films 2026, black and white film, book adaptation, Camus adaptation, classic literature, colonial history, colonialism, culture criticism, existential philosophy, existentialism, film adaptation, film criticism, film reviews, foreign film, François Ozon, French Algeria, French cinema, French New Wave, Italian neorealism, Jean-Paul Sartre, media analysis, Meursault, movie reviews, Orson Welles adaptation, philosophy in film, Pierre Lottin, postcolonial themes, race and identity, Rebecca Marder, The Cure Killing an Arab, The Myth of Sisyphus, The Stranger, violence and morality

François Ozon’s elegant Camus adaptation finds new urgency in colonial Algiers

Featured Stories

Featured Stories FILM Poetry

Run, Don’t Walk To See a One-Man, Three-Hour Biopic of French Poet Arthur Rimbaud, Really

June 25, 2026June 29, 2026 Kenji Fujishima 0

If you’re into risk-taking, boundary-pushing cinema, find and see Patrick Wang’s latest film.

BOOKS Featured Stories

Thrilling, Funny, and Sad Tales of Modern Manhood

June 25, 2026June 29, 2026 Jake Harris 0

Featured Stories FILM

Tribeca 2026: The Year of Going to the Cinema

June 24, 2026June 29, 2026 Kaveh Jalinous 0

DOCUMENTARY Featured Stories FILM

E. Jean Carroll Tells Her Story

June 23, 2026June 29, 2026 William Schwartz 0

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