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philosophy in film

‘The Stranger’ Turns Existentialism Into Something Dangerous

April 26, 2026 Neal Pollack 2 Comments absurdism, Albert Camus, Algiers 1930s, arthouse cinema, Benjamin Voisin, best films 2026, black and white film, book adaptation, Camus adaptation, classic literature, colonial history, colonialism, culture criticism, existential philosophy, existentialism, film adaptation, film criticism, film reviews, foreign film, François Ozon, French Algeria, French cinema, French New Wave, Italian neorealism, Jean-Paul Sartre, media analysis, Meursault, movie reviews, Orson Welles adaptation, philosophy in film, Pierre Lottin, postcolonial themes, race and identity, Rebecca Marder, The Cure Killing an Arab, The Myth of Sisyphus, The Stranger, violence and morality

François Ozon’s elegant Camus adaptation finds new urgency in colonial Algiers

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‘After the Hunt’ Is Too Smart to Be This Dumb

October 13, 2025October 17, 2025 Stephen Garrett 0 Comments academic drama, After the Hunt, Andrew Garfield, Ayo Edebiri, Chloe Sevigny, feminism vs patriarchy, Julia Roberts, Luca Guadagnino, MeToo cinema, Michael Stuhlbarg, Nora Garrett, philosophy in film, Yale setting

Luca Guadagnino’s campus melodrama throws Julia Roberts and Ayo Edebiri into a #MeToo morality play with Hegel and Freud references

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Boodled by the Art and Artists of ‘The Christophers’

April 29, 2026May 4, 2026 Neal Pollack 0

Steven Soderbergh comes out of retirement yet again to direct Sir Ian McKellen and Michaela Coel

Featured Stories Netflix NON-FICTION Sports Uncategorized

Was ‘Ronaldinho: The One and Only’?

April 27, 2026April 30, 2026 Dan Friedman 0

DOCUMENTARY Featured Stories FILM

‘Power to the People’: John Lennon & Yoko Ono’s NYC Rent Party on the Big Screen

April 24, 2026April 27, 2026 Jim Allen 2

Featured Stories FILM Netflix Streaming

‘IF’: Imaginary Friends and Real Ryan Reynoldses

April 19, 2026April 19, 2026 Robert Dean 0

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