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Benjamin Voisin

‘The Stranger’ Turns Existentialism Into Something Dangerous

April 26, 2026 Neal Pollack 3 Comments absurdism, Albert Camus, Algiers 1930s, arthouse cinema, Benjamin Voisin, best films 2026, black and white film, book adaptation, Camus adaptation, classic literature, colonial history, colonialism, culture criticism, existential philosophy, existentialism, film adaptation, film criticism, film reviews, foreign film, François Ozon, French Algeria, French cinema, French New Wave, Italian neorealism, Jean-Paul Sartre, media analysis, Meursault, movie reviews, Orson Welles adaptation, philosophy in film, Pierre Lottin, postcolonial themes, race and identity, Rebecca Marder, The Cure Killing an Arab, The Myth of Sisyphus, The Stranger, violence and morality

François Ozon’s elegant Camus adaptation finds new urgency in colonial Algiers

Lost Illusions

‘Lost Illusions’ is a Near-Perfect Literary Adaptation

June 27, 2022June 30, 2022 Neal Pollack 0 Comments Benjamin Voisin, Cécile de France, Honore de Balzac, Lost Illusions, Salomé Dewaels, Vincent Lacoste, Xavier Dolan, Xavier Giannoli

The temptations and corruptions of journalism, then and now

Featured Stories

Featured Stories Podcasts

BFG Podcast #314: Lanterns, Coyotes, Acme Discussions

September 3, 2026September 3, 2026 Book and Film Globe Staff 0

Neal and Rob unpack private equity and falling anvils; Neal and Nick pick over HBO’s new superhero series

Featured Stories FILM

Ridley Scott Is Back, Flying By the Light of ‘The Dog Stars’

August 28, 2026August 31, 2026 Stephen Garrett 0

CLASSICS Featured Stories FILM

Maybe You Can Go Home Again, Samba Traore

August 27, 2026August 30, 2026 William Schwartz 0

DOCUMENTARY Featured Stories FILM

40 Years On, UConn’s Geno Auriemma is Still Butting Heads… and Winning

August 26, 2026August 30, 2026 Jon Hart 0

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