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The Cure Killing an Arab

‘The Stranger’ Turns Existentialism Into Something Dangerous

April 26, 2026 Neal Pollack 2 Comments absurdism, Albert Camus, Algiers 1930s, arthouse cinema, Benjamin Voisin, best films 2026, black and white film, book adaptation, Camus adaptation, classic literature, colonial history, colonialism, culture criticism, existential philosophy, existentialism, film adaptation, film criticism, film reviews, foreign film, François Ozon, French Algeria, French cinema, French New Wave, Italian neorealism, Jean-Paul Sartre, media analysis, Meursault, movie reviews, Orson Welles adaptation, philosophy in film, Pierre Lottin, postcolonial themes, race and identity, Rebecca Marder, The Cure Killing an Arab, The Myth of Sisyphus, The Stranger, violence and morality

François Ozon’s elegant Camus adaptation finds new urgency in colonial Algiers

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‘Power to the People’: John Lennon & Yoko Ono’s NYC Rent Party on the Big Screen

April 24, 2026April 27, 2026 Jim Allen 2

Expanded footage of a historic benefit show is manna for Beatlemaniacs

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‘IF’: Imaginary Friends and Real Ryan Reynoldses

April 19, 2026April 19, 2026 Robert Dean 0

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‘The Testaments’ Brings Us Back to Gilead

April 15, 2026April 27, 2026 William Schwartz 0

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In ‘Cinematic Immunity,’ Film Crews Get the Final Edit

April 14, 2026April 17, 2026 Gillian G. Gaar 0

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