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The Year AI Began To Shape Hollywood

December 18, 2025December 18, 2025 Stephen Macaulay 0 Comments 2023 actors strike, Academy Awards, Adrien Brody, AI, AI ethics, AI filmmaking, artificial intelligence, Bob Iger, ChatGPT, collective bargaining, copyright, David Ellison, digital performers, Disney, Emilia Perez, Fantasia, Felicity Jones, film industry, film technology, future of cinema, generative AI, Hollywood, Hollywood studios, intellectual property, Karla Sofía Gascón, labor relations, Larry Ellison, Marvel, Mickey Mouse, Netflix, OpenAI, Oracle, Oscars, Paramount, Particle6, Pixar, Respeecher, SAG-AFTRA, Sora, Star Wars, Steamboat Willie, synthetic actors, The Brutalist, Tilly Norwood, voice technology, Walt Disney Company, Xicoia, Zurich Film Festival, Zurich Film Festival Summit

From AI Oscar wins to Disney handing OpenAI its crown jewels film is racing from talent to tech

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Is ‘Widow’s Bay’ the best Stephen King adaptation not actually based on his work?
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Is ‘Widow’s Bay’ the best Stephen King adaptation not actually based on his work?

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Apple’s creepy comedy benefits from excellent showrunners

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Tom Brady Returns for ‘The Roast of Kevin Hart’

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I Wish ‘Rooster’ Would Never End
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I Wish ‘Rooster’ Would Never End

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  • Winners and Losers of Cannes 2026
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  • BFG Podcast #307: ‘Widow’s Bay’ and ‘Margot’s Got Money Troubles’
  • Is ‘Widow’s Bay’ the best Stephen King adaptation not actually based on his work?
  • Tom Brady Returns for ‘The Roast of Kevin Hart’

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