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The Year AI Began To Shape Hollywood

December 18, 2025December 18, 2025 Stephen Macaulay 0 Comments 2023 actors strike, Academy Awards, Adrien Brody, AI, AI ethics, AI filmmaking, artificial intelligence, Bob Iger, ChatGPT, collective bargaining, copyright, David Ellison, digital performers, Disney, Emilia Perez, Fantasia, Felicity Jones, film industry, film technology, future of cinema, generative AI, Hollywood, Hollywood studios, intellectual property, Karla Sofía Gascón, labor relations, Larry Ellison, Marvel, Mickey Mouse, Netflix, OpenAI, Oracle, Oscars, Paramount, Particle6, Pixar, Respeecher, SAG-AFTRA, Sora, Star Wars, Steamboat Willie, synthetic actors, The Brutalist, Tilly Norwood, voice technology, Walt Disney Company, Xicoia, Zurich Film Festival, Zurich Film Festival Summit

From AI Oscar wins to Disney handing OpenAI its crown jewels film is racing from talent to tech

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Heidi 2: The Quickening

January 23, 2019January 23, 2019 Neal Pollack 0 Comments Agatha Christie, Aldous Huxley, Bobbsey Twins, Carl Sandburg, copyright, D.H. Lawrence, Djuna Barnes, Don Quixote, Edith Wharton, Heidi, Jean Toomer, public domain, Tarzan, The Three Musketeers, William Dean Howells

Hundreds Of Literary and Cinematic Works Just Entered The Public Domain. Which One Should We Butcher First?

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‘Power to the People’: John Lennon & Yoko Ono’s NYC Rent Party on the Big Screen

April 24, 2026April 27, 2026 Jim Allen 2

Expanded footage of a historic benefit show is manna for Beatlemaniacs

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‘IF’: Imaginary Friends and Real Ryan Reynoldses

April 19, 2026April 19, 2026 Robert Dean 0

BOOKS Featured Stories Graphic novels Streaming TELEVISION

‘The Testaments’ Brings Us Back to Gilead

April 15, 2026April 27, 2026 William Schwartz 0

BOOKS Featured Stories FILM

In ‘Cinematic Immunity,’ Film Crews Get the Final Edit

April 14, 2026April 17, 2026 Gillian G. Gaar 0

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