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future of cinema

At Sundance, Filmmaking and the Festival Contemplate Apocalypse and Rebirth Collide

January 30, 2026January 30, 2026 Stephen Garrett 0 Comments AI and filmmaking, AI and labor rights, AI and unions, AI apocalypse narratives, AI benefits, AI efficiencies debate, AI ethics, AI in cinema, AI in Hollywood, AI industry, AI regulation, AI risks, AI safety, AI tools, Antonio Gramsci, Apocaloptimism, Apocalypse narratives, Binet Simon test, British Empire, CAA, CCAI Creators Coalition on AI, Charlie Tyrell, Daniel Kwan, Daniel Roher, Daniels filmmaking duo, dystopian futurism, Eliezer Yudkowsky, Elon Musk, eugenics, Everything Everywhere All At Once, film technology, Focus Features, future of cinema, future of work, Ghost in the Machine, Grok chatbot, Hollywood future, Hollywood Reporter, James Cameron, Jason Reitman, Mark Zuckerberg, Microsoft, Park City, phrenology, Sam Altman, Sam Altman fundraising, Silicon Valley history, Stanford Binet, Sundance, Sundance 2025, Sundance 2026, Sundance documentaries, Sundance industry issues, Sundance panels, Tay, tech culture, tech hubris, The AI Doc, The AI Doc: How I Became an Apocaloptimist, the future of cinema, Tristan Harris, utopian futurism, Valerie Veatch, White supremacy in tech, William Shockley

Amid a farewell to Park City, two major AI documentaries reflect the end of a way of being

The Year AI Began To Shape Hollywood

December 18, 2025December 18, 2025 Stephen Macaulay 0 Comments 2023 actors strike, Academy Awards, Adrien Brody, AI, AI ethics, AI filmmaking, artificial intelligence, Bob Iger, ChatGPT, collective bargaining, copyright, David Ellison, digital performers, Disney, Emilia Perez, Fantasia, Felicity Jones, film industry, film technology, future of cinema, generative AI, Hollywood, Hollywood studios, intellectual property, Karla Sofía Gascón, labor relations, Larry Ellison, Marvel, Mickey Mouse, Netflix, OpenAI, Oracle, Oscars, Paramount, Particle6, Pixar, Respeecher, SAG-AFTRA, Sora, Star Wars, Steamboat Willie, synthetic actors, The Brutalist, Tilly Norwood, voice technology, Walt Disney Company, Xicoia, Zurich Film Festival, Zurich Film Festival Summit

From AI Oscar wins to Disney handing OpenAI its crown jewels film is racing from talent to tech

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