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Tristan Harris

At Sundance, Filmmaking and the Festival Contemplate Apocalypse and Rebirth Collide

January 30, 2026January 30, 2026 Stephen Garrett 0 Comments AI and filmmaking, AI and labor rights, AI and unions, AI apocalypse narratives, AI benefits, AI efficiencies debate, AI ethics, AI in cinema, AI in Hollywood, AI industry, AI regulation, AI risks, AI safety, AI tools, Antonio Gramsci, Apocaloptimism, Apocalypse narratives, Binet Simon test, British Empire, CAA, CCAI Creators Coalition on AI, Charlie Tyrell, Daniel Kwan, Daniel Roher, Daniels filmmaking duo, dystopian futurism, Eliezer Yudkowsky, Elon Musk, eugenics, Everything Everywhere All At Once, film technology, Focus Features, future of cinema, future of work, Ghost in the Machine, Grok chatbot, Hollywood future, Hollywood Reporter, James Cameron, Jason Reitman, Mark Zuckerberg, Microsoft, Park City, phrenology, Sam Altman, Sam Altman fundraising, Silicon Valley history, Stanford Binet, Sundance, Sundance 2025, Sundance 2026, Sundance documentaries, Sundance industry issues, Sundance panels, Tay, tech culture, tech hubris, The AI Doc, The AI Doc: How I Became an Apocaloptimist, the future of cinema, Tristan Harris, utopian futurism, Valerie Veatch, White supremacy in tech, William Shockley

Amid a farewell to Park City, two major AI documentaries reflect the end of a way of being

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‘Power to the People’: John Lennon & Yoko Ono’s NYC Rent Party on the Big Screen

April 24, 2026April 27, 2026 Jim Allen 2

Expanded footage of a historic benefit show is manna for Beatlemaniacs

Featured Stories FILM Netflix Streaming

‘IF’: Imaginary Friends and Real Ryan Reynoldses

April 19, 2026April 19, 2026 Robert Dean 0

BOOKS Featured Stories Graphic novels Streaming TELEVISION

‘The Testaments’ Brings Us Back to Gilead

April 15, 2026April 27, 2026 William Schwartz 0

BOOKS Featured Stories FILM

In ‘Cinematic Immunity,’ Film Crews Get the Final Edit

April 14, 2026April 17, 2026 Gillian G. Gaar 0

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‘Power to the People’: John Lennon & Yoko Ono’s NYC Rent Party on the Big Screen

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