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William Shockley

At Sundance, Filmmaking and the Festival Contemplate Apocalypse and Rebirth Collide

January 30, 2026January 30, 2026 Stephen Garrett 0 Comments AI and filmmaking, AI and labor rights, AI and unions, AI apocalypse narratives, AI benefits, AI efficiencies debate, AI ethics, AI in cinema, AI in Hollywood, AI industry, AI regulation, AI risks, AI safety, AI tools, Antonio Gramsci, Apocaloptimism, Apocalypse narratives, Binet Simon test, British Empire, CAA, CCAI Creators Coalition on AI, Charlie Tyrell, Daniel Kwan, Daniel Roher, Daniels filmmaking duo, dystopian futurism, Eliezer Yudkowsky, Elon Musk, eugenics, Everything Everywhere All At Once, film technology, Focus Features, future of cinema, future of work, Ghost in the Machine, Grok chatbot, Hollywood future, Hollywood Reporter, James Cameron, Jason Reitman, Mark Zuckerberg, Microsoft, Park City, phrenology, Sam Altman, Sam Altman fundraising, Silicon Valley history, Stanford Binet, Sundance, Sundance 2025, Sundance 2026, Sundance documentaries, Sundance industry issues, Sundance panels, Tay, tech culture, tech hubris, The AI Doc, The AI Doc: How I Became an Apocaloptimist, the future of cinema, Tristan Harris, utopian futurism, Valerie Veatch, White supremacy in tech, William Shockley

Amid a farewell to Park City, two major AI documentaries reflect the end of a way of being

Featured Stories

DOCUMENTARY Featured Stories Streaming TELEVISION

Check Out Boeing in ‘Freefall’

September 23, 2026September 28, 2026 Robert Dean 0

New documentary show crashes don’t come from just one lil’ engineering failure

Featured Stories FILM

Hasta La Vista, Toronto, You Ended Strong

September 22, 2026September 28, 2026 Kaveh Jalinous 0

Featured Stories FILM Horror

No Need for Monster Logic in ‘Resident Evil’

September 22, 2026September 25, 2026 Stephen Garrett 0

Featured Stories Podcasts

BFG Podcast #315: Venice, Oasis and Hope

September 20, 2026September 25, 2026 Book and Film Globe Staff 0

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