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At Sundance, Filmmaking and the Festival Contemplate Apocalypse and Rebirth Collide

January 30, 2026January 30, 2026 Stephen Garrett 0 Comments AI and filmmaking, AI and labor rights, AI and unions, AI apocalypse narratives, AI benefits, AI efficiencies debate, AI ethics, AI in cinema, AI in Hollywood, AI industry, AI regulation, AI risks, AI safety, AI tools, Antonio Gramsci, Apocaloptimism, Apocalypse narratives, Binet Simon test, British Empire, CAA, CCAI Creators Coalition on AI, Charlie Tyrell, Daniel Kwan, Daniel Roher, Daniels filmmaking duo, dystopian futurism, Eliezer Yudkowsky, Elon Musk, eugenics, Everything Everywhere All At Once, film technology, Focus Features, future of cinema, future of work, Ghost in the Machine, Grok chatbot, Hollywood future, Hollywood Reporter, James Cameron, Jason Reitman, Mark Zuckerberg, Microsoft, Park City, phrenology, Sam Altman, Sam Altman fundraising, Silicon Valley history, Stanford Binet, Sundance, Sundance 2025, Sundance 2026, Sundance documentaries, Sundance industry issues, Sundance panels, Tay, tech culture, tech hubris, The AI Doc, The AI Doc: How I Became an Apocaloptimist, the future of cinema, Tristan Harris, utopian futurism, Valerie Veatch, White supremacy in tech, William Shockley

Amid a farewell to Park City, two major AI documentaries reflect the end of a way of being

Featured Stories

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Save Us, Godzilla!

November 8, 2026November 11, 2026 Neal Pollack 0

Takachi Yamazaki’s ‘Godzilla Minus Zero’ sets the stage for a renewed franchise

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‘Wild Horse Nine’ Is Full of Hysterical but Horrible Remorse

November 6, 2026November 11, 2026 Stephen Garrett 0

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16 New Books To Read in November

November 1, 2026November 4, 2026 Art McPhail 0

Biography DOCUMENTARY Featured Stories FILM Netflix NON-FICTION Streaming

Norm Was a Vibe

October 31, 2026November 4, 2026 Rob Kutner 1

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