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Antonio Gramsci

At Sundance, Filmmaking and the Festival Contemplate Apocalypse and Rebirth Collide

January 30, 2026January 30, 2026 Stephen Garrett 0 Comments AI and filmmaking, AI and labor rights, AI and unions, AI apocalypse narratives, AI benefits, AI efficiencies debate, AI ethics, AI in cinema, AI in Hollywood, AI industry, AI regulation, AI risks, AI safety, AI tools, Antonio Gramsci, Apocaloptimism, Apocalypse narratives, Binet Simon test, British Empire, CAA, CCAI Creators Coalition on AI, Charlie Tyrell, Daniel Kwan, Daniel Roher, Daniels filmmaking duo, dystopian futurism, Eliezer Yudkowsky, Elon Musk, eugenics, Everything Everywhere All At Once, film technology, Focus Features, future of cinema, future of work, Ghost in the Machine, Grok chatbot, Hollywood future, Hollywood Reporter, James Cameron, Jason Reitman, Mark Zuckerberg, Microsoft, Park City, phrenology, Sam Altman, Sam Altman fundraising, Silicon Valley history, Stanford Binet, Sundance, Sundance 2025, Sundance 2026, Sundance documentaries, Sundance industry issues, Sundance panels, Tay, tech culture, tech hubris, The AI Doc, The AI Doc: How I Became an Apocaloptimist, the future of cinema, Tristan Harris, utopian futurism, Valerie Veatch, White supremacy in tech, William Shockley

Amid a farewell to Park City, two major AI documentaries reflect the end of a way of being

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BFG Podcast #314: Lanterns, Coyotes, Acme Discussions

September 3, 2026September 3, 2026 Book and Film Globe Staff 0

Neal and Rob unpack private equity and falling anvils; Neal and Nick pick over HBO’s new superhero series

Featured Stories FILM

Ridley Scott Is Back, Flying By the Light of ‘The Dog Stars’

August 28, 2026August 31, 2026 Stephen Garrett 0

CLASSICS Featured Stories FILM

Maybe You Can Go Home Again, Samba Traore

August 27, 2026August 30, 2026 William Schwartz 0

DOCUMENTARY Featured Stories FILM

40 Years On, UConn’s Geno Auriemma is Still Butting Heads… and Winning

August 26, 2026August 30, 2026 Jon Hart 0

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