‘End of Oak Street’ Is a Stroll in Triassic Park
One amazing performance makes David Robert Mitchell’s 1980s B-movie worth watching
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Anne Hathaway
The Real Scandal Is the Whitewashing of ‘The Odyssey’
Where are the Greek actors for a Greek epic?
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‘The Odyssey’ Is the Most Christopher Nolan Film Yet
A star-studded epic brings Homer to the 21st century
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The Devil Barely Cares About Prada
The crew is all back for this 20th anniversary sequel, but the world has moved on
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The Idea of Anne Hathaway
We need to talk about ‘The Idea of You’
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‘Just For Us’ is Just For the ‘Right’ Kind of Jew
Alex Edelman’s witty Broadway monologue takes its eye off the target
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Sundance is Alive!
Indie cinema returns, ready for the sniffling crowd
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80s Kids Will Remember
James Gray’s ‘Armageddon Time’: A nostalgic look back at America, a long time ago
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Inspiration and Disappointment At The New York Film Festival
Much-anticipated titles didn’t exactly deliver what our critic expected
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The Science of Emmy Snubs
Plus four egregious ones that really grind our gears
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The Long Con
Why streaming viewers love to hate lady scammers
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‘Locked Down’: A COVID-era diamond heist flick
Too soon, guys
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Witchy Woman
Robert Zemeckis’s ‘The Witches’ is freakish, not in the best way
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Watershed Down
‘Dark Waters’: Mark Ruffalo Vs. The Man
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‘The Hustle’ Lacks Bustle
Missed Opportunities and a Miscast Anne Hathaway
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